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"I've learned as an artist that self judgement is stultifying - sometimes work has to mature or ripen in a drawer for years before we see its true value."
My initial attraction to Monuments as a subject was the challenge of exposing the forgotten beauty of a subject steeped in political history, often taken for granted, or at the very least under appreciated. It wasn’t the history or the message behind the structure but finding the forms hidden within which enticed me.
